American Illustration 35 / Book + slipcase + proverb
The book for the longstanding juried illustration competition released at the end of 2016. The book served as a love letter to a poison year fraught with the bubbled-over sociopolitical & economic tensions among citizens divested of power that have been around for centuries and finally tipped over.
Creative direction & design: MD
Art: Benjamin Marra
The New York Times Magazine / Cover + Opener illustrations
AD: Gail Bichler / Design: Rachel Willey
The New York Times Magazine / Cover illustration
Art director: Gail Bichler
Hogarth
Art direction: Christopher Brand
W.W. Norton
Art direction: Ingsu Liu
Soft Skull Press
Art direction: Kelly Winton
The New York Times Magazine / Cover + Opener illustrations
Art direction + Type: Gail Bichler
Süddeutsche Zeitung / Fiction issue 2019: Schwarkes Vögel. The story was a recollection of the young narrator’s work as a caretaker for a gruff client with aggressive macaws who governed his home.
Oh-So Magazine / Skateboarders, competition and mental block
AD: Rob Hewitt
Farrar, Straus and Giroux
Art direction: Na Kim
Soft Skull Press
Art direction: Kelly Winton
The New York Times Magazine / Cover illustration
Art direction: Najeebah Al-Ghadban
W.W. Norton
Art direction: Sarahmay Wilkinson
Verso Books
Art direction: Andy Pressman
Farrar, Straus and Giroux
Art direction: Rodrigo Corral
The New Yorker: Whiskey and Ink
Gary Greenberg on Leslie Jamison's The Recovering and what the literature of alcoholism suggests about the nature of addiction.
Art direction: Nico Schweizer
Viking
Art direction: Jason Ramirez
The New York Times A1 Graphic - 10/3/18
Document composite showcasing a sliver of the 100,000 pages of records, including confidential tax returns, revealing the degree to which Donald Trump benefitted from the wealth of his father.
ADs: Tom Bodkin, Kelly Doe, Fred Bierman, Wayne Kamidoi & Andrew Sondern
Restless Books
The New York Times Book Review / Photo-illustration of Robert Caro through the decades.
The New Yorker / Alex Ross on Bach: The composer has long been seen as a symbol of divine order. But his music has an unruly obsession with God.
Art direction: Chris Curry
Simon and Schuster
Art direction: Jackie Seow
The New York Times Magazine / Cover illustration
Art direction: Ben Grandgenett
The New York Times Magazine
How the appetite for emojis complicates Unicode's effort to standardize the world's alphabets.
Art direction: Gail Bichler
Scribner
Art direction: Jaya Miceli
The New York Times Magazine / Letter of Recommendation: 'Shark Tank'
Art direction: Ben Grandgenett
On the merits of the show Shark Tank and its recasting of capitalism in its most idealistic light.
The New York Times Magazine
Art direction: Ben Grandgennet
On the merits of screaming—with particular regard to the quality in which it's deployed by Prince on Darling Nikki. Very challenging to argue against.
W.W. Norton
Art direction: Steve Attardo
Viking
Art direction: Paul Buckley
Photo: Godlis
The New York Times Magazine
Art direction: Jason Sfetko
The New York Times Magazine
"How the political climate has changed the pressures on players, coaches and others to speak out or be silent."
Art direction: Ben Grandgenett
Crown
Art direction: Christopher Brand
Penguin / Riverhead
Trio of book covers for Jon Ronson — The Psychopath Test, Lost At Sea + So You've Been Publicly Shamed
Art direction: Helen Yentus
The New York Times Book Review
George Prochnik and Frederick Crews are uncharitable to Sigmund Freud. On Crews' book: Freud - The Making of an Illusion
The New York Times Book Review / Cover illustration
Scribner
Art direction: Jaya Miceli
Soft Skull Press
Art direction: Kelly Winton
The New York Times Magazine
"A new wave of analysts want to do away with contrived narratives. But if not for the stories, why watch?"
Art direction: Ben Grandgenett
The New York Times Magazine
Art direction: Jason Sfetko
The New York Times Magazine
Art direction: Raul Aguila / Arem Duplessis
The New York Times Magazine
Art direction: Frank Augugliaro
The New York Times Magazine
Art direction: Caleb Bennett
The New York Times Book Review
Art direction: Nicholas Blechman
The New Yorker
Malcolm Gladwell - What Social Scientists Learned From Katrina: Many Katrina victims left New Orleans for good. What can we learn from them?
Art direction: Chris Curry
Farrar, Straus and Giroux
Art direction: Rodrigo Corral
Drawings: Matthew Kramer
This American Life / NPR / PRI
Logo for the investigative journalism podcast hosted by Sarah Koenig. A brief interview about the execution of the mark can be read here (via Wired).
The New York Times Magazine
Art direction: Gail Bichler / Kimberly Sutherland
The Atlantic
Art direction: Darhil Crooks
The New Yorker / Fiction
Art direction: Chris Curry
The New York Times Book Review
Art direction: Nicholas Blechman
The New York Times Book Review
Art direction: Nicholas Blechman
The New York Times Book Review
Essay on JFK's inscrutability by Jill Abramson
Art direction: Nicholas Blechman
W.W. Norton
Art direction: Chin-Yee Lai
The New York Times Book Review
Art direction: Nicholas Blechman
The New York Times Book Review
Art direction: Nicholas Blechman
Wired
Art direction: Caleb Bennett
Neon construction: Todd Sanders/Roadhouse Relics
Photography: Matt Rainwaters
The Atlantic
Art direction: Darhil Crooks
Penguin Press
Art direction: Darren Haggar
Maxim / Typographic essay by David Copperfield
Art direction: David Zamdzer
The New York Times Magazine
Art direction: Drea Zlanabitnig, Arem Duplessis
The New York Times Magazine
Art direction: Gail Bichler
The New York Times Magazine
Art direction: Arem Duplessis
Soft Skull Press
Art direction: Kelly Winton
Penguin / Currents
Art direction: Jaya Miceli
The New York Times / Op-Ed
WHYY / NPR
Re-vamped mark and signage for a public hero. Shepherded graciously by producers Molly Seavy-Nesper and Danny Miller
Vintage/Anchor Books
Art direction: John Gall
Vintage/Anchor books
Art direction: John Gall
Penguin
Art direction: Roseanne Serra
The New York Times Magazine / Illustration
Art direction: Caleb Bennett
Pantheon
Art direction: Peter Mendelsund
Pantheon / Alain de Botton
Art direction: Peter Mendelsund
Penguin
Art direction: Paul Buckley
The New York Times Book Review
Art direction: Nicholas Blechman
The New York Times Book Review
Art direction: Rex Bonomelli
NY Times Science / Natalie Angier on alternate infinities
Art direction: Peter Morance
Verso
Art direction: Rumors
The New York Times / Sunday Review
Art direction: Aviva Michaelov
The New York Times / Sunday Review
Art direction: Aviva Michaelov
The New York Times / Sunday Review
Art direction: Aviva Michaelov
The New York Times / Sunday Review
Art direction: Aviva Michaelov
The New York Times / Sunday Review
Art direction: Aviva Michaelov
Vanity Fair
Art direction: Julie Weiss
Vanity Fair
Columnist James Wolcott attempts a deep dive with stat based apps & narrowly avoids losing his mind.
Art direction: Julie Weiss
Secret 7" / 'Virginia Plain' by Roxy Music
Vinyl 7" art for a fabulous charity. Bidders are unaware of the artist or song on the enclosed record. Any suggestions as to what the music might be are tipped off solely by the art.
The Harvard Business Review
Art direction: Karen Player
The New York Times / Opinion
Art direction: Kelly Doe
Harvard Business Review
Art direction: Karen Player
The New York Times Magazine
Art direction: Caleb Bennett
Artisan Books / The Buried Life
Interior illustrations for The Buried Life
Art direction: Kevin Brainard
18" x 25 2/c poster about whining.
Printed on archival FSC-certified white Cougar 100lb. I still have a few of these left if anyone's interested in one for their home.
The New York Times / Opinion
Art direction: Kelly Doe
The New York Times / Opinion
Art direction: Kelly Doe
The New York Times / Opinion
Art direction: Kelly Doe
